Posted
ByBob Grimm
on Tue, Jun 21, 2016 at 10:00 AM
This sequel to Finding Nemo goes a little darker than its predecessor, with Ellen DeGeneres returning as the voice of Dory, the lovable fish with short-term memory loss issues.
An event triggers a memory of family in her little brain, and she sets off on a journey to find her mom and dad (voiced by Diane Keaton and Eugene Levy). Pals Marlin (Albert Brooks) and Nemo (Hayden Rolence) join Dory on her quest, which culminates in an aquarium amusement park graced with voice announcements by the actual Sigourney Weaver. Dory winds up in a touch pond, in a bucket of dead fish, and swimming around in a lot of dark pipe work. In some ways, this is to Finding Nemo what The Empire Strikes Back was to Star Wars. It’s a darker, slightly scarier chapter, but it still delivers on the heartwarming elements, and contains some good laughs, many of them provided by Ed O’Neil voicing a conniving octopus. We also find out the origins of Dory’s ability to speak whale as she reconvenes with an old friend, Destiny the Whale Shark (Kaitlin Olson).
Overall, it’s not as good as the first one, but it’s still good, and DeGeneres still rules as the voice of Dory. Her voicing of this character definitely goes into the Animation Voices Hall of Fame. MAKE SURE TO STAY ALL THE WAY THROUGH THE CREDITS FOR A RATHER LENGTHY FINAL SCENE.
Posted
ByChelo Grubb
on Fri, Jun 17, 2016 at 12:00 PM
This weekend is supposed to be hellishly hot and I'm not going outside. Stock up on some movies, blend a margarita and settle in for a weekend away from the sun.
Posted
ByBob Grimm
on Wed, Jun 15, 2016 at 10:00 AM
Remember when a Stephen King movie was an event? Remember when a John Cusack movie was an event? Heck, the John Cusack/Stephen King movie 1408 (2007) was actually pretty badass.
Here in 2016, the latest Cusack/King vehicle gets an On Demand release shortly before a limited theatrical run. Produced three years ago, this one was better off staying on the shelf, and is easily one of the worst King adaptations. Cusack, reteamed with his 1408 costar Samuel L. Jackson, plays Mike, a graphic artist estranged from his wife and son. Shortly after placing a call to them on an airport payphone, Mike witnesses cell phone users spazzing out and going into a zombie state as the result of some sort of pulse.
Director Tod Williams is utterly lost with this opportunity, making a humorless piece of horror satire wrought with lethargic performances, shoddy camerawork and terrible special effects. The origin of the “pulse” that sets off the zombie apocalypse is never fully explained, and no real villain is ever established. The ending is a confusing mishmash of three finales as if the director couldn’t make up his mind.
Cusack seems pissed to be in this thing, while Jackson is clearly bored and resigned to the fact that he signed up for a stinker. Eli Roth was the original director on this, and he left due to creative differences. Maybe he was arguing that a film like this should be crazy and even funny.
This one takes itself a little too seriously, and boasts some of the worst movie editing you are likely to see this year. The career of Cusack continues to spiral out of control, Nicholas Cage style (Available for rent on iTunes and On Demand before and during a limited theatrical release).
Posted
ByBob Grimm
on Mon, Jun 13, 2016 at 11:00 AM
Former New York Congressman Anthony Weiner was a hardworking, impassioned spitfire with a promising future. He seemingly threw that all away when he tweeted out pictures of his surprisingly hot bod to virtual strangers, in addition to all out sexting with them. Word got out, and the man was dethroned.
This documentary from directors Josh Kriegman and Elyse Stenberg shows the humiliated politician seemingly on the comeback trail, making a serious run for NYC mayor with renewed public support and wife Huma Abedin still at his side despite the naked pics sent to ladies other than herself.
Even the press seemed to be lightening up on the dude, although fellow politicians still shot arrows. Weiner was actually in the lead when word got out he had continued the whole sexting thing well after his resignation, even doing phone sex with one particular, insane fan. The doc then becomes an examination of a fairly sick guy losing it all once again, a man unable to control his stranger impulses. During it all, Weiner remained defiant, committed and steadfast in his beliefs that he would make a good mayor. The public didn’t see it that way, and he went from holding the lead to finishing dead last with less than five percent of the vote.
No doubt, the man is entertaining and certainly anything other than uninteresting, making this documentary a fascinating and entertaining one. It’s also an undeniable testament to the negative powers of the selfie, especially the partially naked selfie.
Posted
ByChelo Grubb
on Fri, Jun 10, 2016 at 10:00 AM
It's too hot to go outside between 9 a.m. and 6 p.m., so you may as well prepare to lock yourself inside for the majority of the weekend. Get some snacks, close the blinds and get ready for a movie marathon.
Here's your weekly list of the 10 most rented DVDs from Casa Video last week:
Head over to the Pima County Courthouse, 115 N. Church Ave, for a movie under the stars every Thursday this month.
The Cinema La Placita Outdoor Film Series, which has shown classic films for 16 summers in the plaza of La Placita Village, is moving to the historic Pima County Courthouse. Starting this week there will be a classic film shown every Thursday of June at 7:30 p.m in the courthouse courtyard.
For just $3 you can pull up a chair, bring a blanket and enjoy some fresh popcorn, all while watching a classic film and enjoying Tucson's relaxing summer evenings.
For every dollar you pay in admission you can also vote on which films you think they should screen next month.
The movies they're screening this month are as follows:
June 09- To Catch a Thief (1953)
June 16- Born Yesterday (1950)
June 23- Roman Holiday (1953)
June 30- Harvey (1950)
For more info call 520-326-5282 or visit their website.
Posted
ByBob Grimm
on Wed, Jun 8, 2016 at 10:38 AM
This is the true story of Palestinian Mohammed Asaf, who overcame many obstacles to win Arab Idol in 2013.
The film starts with Asaf as a kid, playing music for weddings for his little sister. She dies from kidney failure, giving Asaf the motivation to leave Palestine and audition for the show when he grows up (he’s played by Tawfeek Barhorn as an adult).
I’ll say this; the movie is much better than the American Idol movie, From Justin to Kelly. That said, it still isn’t very good. It has a disease-of-the-week movie feel in the first half, and feels like a movie we’ve seen many times before in it’s second half. The kids are cute enough, but the movie definitely loses its way before credits roll, and Barhorn isn’t a very engaging performer.
The final moments flip to the actual Asaf winning Idol, which got me to thinking that the filmmakers would’ve been better off had they just gone the documentary route. Watching footage of Asaf triumph is enough.
Posted
ByBob Grimm
on Mon, Jun 6, 2016 at 10:15 AM
This is as brutal a satire you will ever see. Writer-director Yorgos Lanthimos gives us a world where being single is so frowned upon, you will be transformed into the animal of your choice if you don’t find a partner in an allotted time.
Colin Farrell stars as David, a recently dumped man who must stay at a hotel with his brother (who is also his dog) and find a new mate or become a lobster.
He eventually finds himself living in the woods with the leftover single people, who must dodge daily hunting expeditions by people looking to extend their time before animal transformation (they earn extra days for every single person they bag). David eventually meets Short Sighted Woman (Rachel Weisz) among the singles, and he finds himself needing to make some big decisions on how to start a relationship with her. The film is intentionally drab in its look, with all of the actors delivering their lines with nearly no emotion. The effect is just plain nasty, a scathing indictment on a society that puts too much pressure on individuals to become couples. It’s often extremely funny, with an equal amount of necessary unpleasantness.
Simply said, it’s one of those movies that you can call truly original. There’s nothing else like it.
The death of 49 toddlers in the ABC Day Care fire in our sister desert city of Hermosillo is probably one of the most soul wrenching days—if not the saddest and most puzzling day—in Sonora's modern history.
The morning of June 5, 2009, at least 200 babies and toddlers were dropped off by their parents. In the early afternoon, during nap time (la hora de la siesta) the fire from neighboring storage owned by the state's Finance Department spread to ABC—a warehouse with practically no emergency exists, a small main entrance, defective fire alarms and a tarpaulin ceiling. More than 100 children and staff were injured by the fire, according to Hermosillo's newspaper El Imparcial. The 49 angels passed away either because of the fire, smoke or the ceiling's collapse.
Evidence quickly piled up suggesting negligence and corruption from the day care's owners, all the way up the ladder to federal and state officials.
ABC was inspected often, and somehow it always passed. In fact, 10 days before the fire, it passed its last inspection.
Except, in 2005, federal authorities ordered the owners to get rid of the tarp, add more emergency exits and widen the entrance, according to a June 2009 New York Times article. Absolutely nothing happened. What's more, several months later that same federal agency—the Instituto Mexicano del Seguro Social, Mexico's Social Security—renewed its contract with ABC even though the repairs were never made.
It took seven years for the families to get some sort of justice.
In May of this year, 19 of the presumably 22 people involved in the fire—including the IMSS representative in Sonora—were sentenced to at least 20 years in prison for culpable homicide of the 49 toddlers.
It's not enough. It's a tragedy that should have never happened.