Tuesday, December 11, 2018

Posted By on Tue, Dec 11, 2018 at 10:51 AM

click to enlarge In The Flesh: The Juilliard String Quartet Bears Gifts
Claudio Papapietro
The Juilliard String Quartet
Tucson was gifted with a pre-Yuletide performance by the world-renowned Juilliard String Quartet last Wednesday, Dec. 5. Taking the near-capacity audience at the Leo Rich Theater through the gamut, from pianissimo to fortississimo, at times galloping furiously in mellifluous harmony and, at others, building tension. Playing off the intentional push/pull of contrapuntal discord, crescendo followed by diminuendo, they stewarded the music to dizzying heights until allowing it to rupture into sharply pointed spires.

Formed in 1946, as the quartet-in-residence at the Juilliard School, this lauded assemblage perdures. The present incarnation consists of cellist Astrid Schween, violist Roger Tapping, second violinist Ronald Copes and Areta Zhulla, the most recent violinist to occupy the first chair. Its forebearers’ intent: “To play new works as if they were established masterpieces and established masterpieces as if they were new.” These descendants stayed true to the mission statement.

Composed circa 1798, the Juilliard String Quartet executed Ludwig van Beethoven’s String Quartet in D major, Opus 18, No. 3 with striking aplomb. Despite its numbering, it's actually the first quartet Beethoven composed. With gentleness and a sense of wonder the ostinato delighted throughout the composition until the fourth movement. During the presto the Juilliard String Quartet shifted the centre of gravity attacking the motif in dramatic ways driving headlong to a breathtaking resolution.

Teetering between consonant and dissonant harmonic intervals, creating tension that leaves the ears of a Western audience longing for resolve, the Juilliard String Quartet explored during Lembit Beecher’s One Hundred Years Grows Shorter Over Time.

“The movements of this quartet are like successive generations retelling the same story. As I wrote, a melody kept coming into mind: A waltz written by my Estonian grand-uncle in the 1950s. I first played this music with my brother when we were teenagers. Over the years we kept returning to it. The waltz appears fully realized, as if an old recording,” Beecher said of his piece.

Schween provided contrapuntal anecdotes while Tapping and Copes sautilléd their bows off the strings in powerful unison leaving Zhulla free to soar.

After the intermission, the Juilliard String Quartet returned for Joseph Haydn’s String Quartet in F Major, Opus 77, No. 2. It seemed fitting to close the program as Haydn is widely considered the creator of the genre. Achieving delicate equilibrium, they masterfully created sublime contrast between the galant style of the 18th century and the dignified seriousness of the Baroque.

Executed as by the unfailing hands of surgeons, over the course of the evening, the Juilliard String Quartet performed with barely containable ardor—that at moments impelled their bodies to rise upward from the benches and chairs they sat upon—displaying unparalleled artistry, effortlessly laying claim to a shared sovereignty as one of the world’s finest.

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Monday, December 10, 2018

Posted By on Mon, Dec 10, 2018 at 10:34 AM

Christopher Charles Burroughs grew up in West Milford, New Jersey. He studied journalism at Rutgers University before moving to Tucson to pursue his dream of a career in music. With a penchant for language, he put pen to paper. Combining social commentary and vagabond philosophy, vivid storytelling became his musical trademark.

In the summer of 1982 Chris Burroughs and the Nationals made their debut playing local clubs—Nino’s, Dooley’s and such—leaping onto the scene with contemporaries Eighty Go Ninety, Jonny Sevin and The Fred’s. The Nationals spent the next two years playing dive bars and watering holes from Bisbee to Flagstaff before the bright lights of Los Angeles beckoned.

“We would do something like eighteen one-nighters in a row… And only play three cities,” Burroughs was quoted as saying.

Burroughs released six albums—his debut West of Texas (Triple Bar Records) was released in 1988—and appeared on numerous others. In addition to The Nationals, he fronted Chris Burroughs and the Mercenaries and most recently Hardpan, with stints in Yard Trauma, Losers Club and Creosote, acquiring fans throughout the U.S. and Europe.

Christopher Charles Burroughs passed away unexpectedly at his Tucson home on Monday, Nov 19. He was 60 years old.

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Tuesday, November 20, 2018

Posted By on Tue, Nov 20, 2018 at 10:48 AM

click to enlarge Bobby Bones and Sharna Burgess Surprise Fans, Win Dancing with the Stars
Courtesy Dancing with the Stars official Facebook page
Country-radio host Bobby Bones and pro dancer Sharna Burgess are the winners of Season 27 of Dancing with the Stars. They were fan favorites throughout the whole season and surpassed their fellow competitors Alexis Ren and Alan Bersten, Evanna Lynch and Keo Motsepe and Milo Manheim and Witney Carson to be awarded the Mirrorball Trophy.

Their routines were enjoyable, humorous and entertaining. Although Bones was not the most technically skilled dancer, he won the crowd and the judges with his humor and entertainment.

Burgess choreographed a freestyle dance to “The Greatest Show” from The Greatest Showman soundtrack as their finale where Bones was awarded a perfect 10 from the judges for the first time.

It was a shocking win with his competitors leaving stunned and many fans ecstatic while others were upset with the results. 

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Thursday, November 15, 2018

Posted By on Thu, Nov 15, 2018 at 12:01 PM


A Perfect Circle is coming to Phoenix next week and this s your chance to see them from the VIP section! They will be headlining the show with a lineup of Tricky and Night Club.

Enter for a chance to win a pair of tickets, but not only tickets, an entire VIP experience for two:
Winners will receive a pair of tickets, premium reserved parking, private venue entrance, VIP Lounge access and in-suite wait service. Now that sounds like an impressive date night!

To enter to win, share this Facebook or Twitter post, tag the person you would take to the show and follow the Tucson Weekly if you aren't already. Winner will be chosen and contacted by 10 a.m. Monday morning, Nov. 19.

The show is at 7:30 p.m. on Tuesday, Nov. 20 at the Comerica Theatre in Phoenix.

Find giveaway rules here.

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Tuesday, November 13, 2018

Posted By on Tue, Nov 13, 2018 at 1:27 PM

Beijing Guitar Duo To Perform at Crowder Hall
Beijing Guitar Duo Facebook
UA Presents welcomes the Beijing Guitar Duo to perform at Crowder Hall on Nov. 15. Meng Su and Yameng Wang are widely known for their superb technique and artistic musicality.
UA Presents welcomes Meng Su and Yameng Wang of Beijing Guitar Duo to perform in Tucson.

Their debut CD Maracaípe received a Latin-GRAMMY nomination. It was dedicated to them by Sergio Assad, a Brazilian guitarist and composer.

The duo has performed throughout Europe, Asia and North America in countries such as Germany, Russia, Spain, Portugal, Denmark, Poland, China, Panama and the United States with their mentor, Manuel Barrueco.

Meng Su and Yameng Wang were born in the city of Qingdao, China, and have packed great musical success in their young lives.

Su won the Vienna Youth Guitar Competition and the Christopher Parkening Young Guitarist Competition and Wang won the Tokyo International Guitar Competition at age 12 and was invited by Radio France to perform at the Paris International Guitar Art Week at age 14.

Before they performed as a duo, they both made solo recordings. This duo is currently supported by the Maryland State Art Council’s Touring Artists Grant program, and has been since 2014.

The concert starts at 7:30 p.m. on Thursday, Nov. 15, at Crowder Hall. 

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Monday, October 29, 2018

Posted By on Mon, Oct 29, 2018 at 12:31 PM

What started out as four Phoenix guys playing songs together quickly turned into one of the biggest jam bands touring today. Their special style of “electrofunk therapy” has found listeners at festivals all across the nation. Now on the road with their third album, Spafford is touring on into Tucson, while playing rock, funk, pop, reggae, jazz and anything else they'll think of on the spot.

 

Catch the groove with Spafford at 191 Toole, two nights in a row! 8 p.m. Friday and Saturday, Nov. 2 & 3. $20 - $25. All ages.


Here are five albums that inspire Spafford:

Foo Fighters Foo Fighters

Probably have to go with the Foo Fighters self titled album. That was the first album that I sat down at a full professional quality kit and some studio headphones and really dissected the parts and every little fill and beat had to be exact or I would start the song over if I missed it. The first track, “This is a call” you could say was really the first song I learned on drums front to back and I knew that from that moment, I wanted to play music for a living. - Cameron


Silverchair Frogstomp

It’s the earliest cd I remember playing over and over again. 10 years old. I spent the summer of ‘95 spinning it in a grey Sony discman while I fished the river that went through my backyard of my childhood home. Never heard anything like it. This propelled me on my lifelong search to always find new music! Fun fact: we used to cover “Tomorrow” a long time ago. - Brian


Little Feat Waiting For Columbus

There have been dozens of albums that have had a huge impact on me over the years - both as a musician and just as a fan of music in general. One of my favorite albums of all time is Little Feat’s Waiting For Columbus. The way the band gelled together, the song selection, and the fact that it’s live all just blow me away every time I listen to it! I remember the first time I heard it thinking “Whoa! You can do that?” I had never heard music like it before. It was really my first introduction to “jam bands”. I’ve been hooked ever since! - Red


Weezer The Blue Album

My family had recently moved back to Nashville from Michigan and I was starting 7th grade when I met my friend Joe. I grew up around church music and oldies 96.1, modern rock was undiscovered for me. One day after school we were hanging at Joe’s house, we listened to Nirvana. He let me try my best Dave Grohl impression to “In Bloom” on his drum set over and over while he clunked away at the guitar. I had never listened to Nirvana before, it changed me. We listened to a lot more music that day and in the days to come. When I left, he handed me a Disc Man, a pair of headphones, and the Blue Album by Weezer and said “Check this one out, I think you’ll like it.” I loved all the music we listened to that day but I spent the next 3 months listening to that Weezer album. I remember seeing the songs when I would listen to them, like I was being painted a picture of this person’s memories and pain and joy and goofiness. I was 11 years old and I remember being connected to feelings I knew I hadn’t had yet that I would probably experience one day. Not long after that I started writing my first songs. - Jordan


Counting Crows August and Everything After

In my mind, this album is a masterpiece. It’s been with me since I was about 9 and to this day, I listen through it about once a week. Adam Duritz’ genius is all over this, their first record. The honesty and heart in this music rocks me, today, the way it did when I was a kid - if not more. It changed me for sure. The words. The feel. It’s poetry. It’s rock. It introduced me to the sound of a mandolin in rock music. My first taste of the Hammond B3 sound as well. This is one of few albums in my life that continues to gain and carry more meaning with every listen. - Chuck


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Thursday, October 18, 2018

Posted By on Thu, Oct 18, 2018 at 1:00 PM

The song and video were recorded live at Frank Bair's studio in the old Comic Con building in downtown Tucson. Audio by Frank Bair, video by Theo Panousopoulos, James Grip, and Jedidiah Baker.

Head over to CANS Deli tonight to celebrate the release of Sharkk Heartt's first single, "Maybe We Are Infinite." 

Electronic producer, singer, songwriter and pianist Lara Ruggles is the one-woman show behind Sharkk Heartt. She's revamping her sound since moving back to Tucson in 2016.

Ruggles toured under her own name and released a full-length album with her band in Colorado, but she's switching gears from writing folky love songs to songs that tackle feminism, equality and activism.

The new single is a love song, with a portion of record sales from the CANS Deli show going to Planned Parenthood.

Sharkk Heartt will be joined at CANS by Phoenix electro-pop duo MRCH and Tucson indie-soul artist Jillian Bessett. The show, presented by Wooden Tooth Records, is 8 p.m. Thursday, Oct. 18. $5 advance or $8 at the door. Find tickets here.

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Posted By on Thu, Oct 18, 2018 at 1:00 AM

click to enlarge Three Great Things to Do in Tucson Today: Thursday, Oct. 18
Courtesy of MOCA Facebook page.
Free Third Thursdays at MOCA. In Tucson, third Thursdays are for contemporary art. Because every third Thursday, the museum is open free to the public from 6 to 8 p.m. for a special art-making activity. This month, visitors can build their very own “pocket shrines” or little miniature altars, with the help of DIRT (Alan Dickson and Taylor Garcia Dickson). These little devotional pieces are meant to be personalized with little object like candles, oracles or photographs. So, while the museum will be providing a variety of supplies, you should definitely bring some stuff from home to make the piece your own. A picture of a deceased loved one? A dried flower petal from your wedding? A photo of a hot celebrity cut out of a magazine? Up to you. DIRT will also be doing free one-card tarot readings, and the night also offers music, a cash bar and food trucks. 6 to 8 p.m. Thursday, Oct. 18. Tucson Museum of Contemporary Art, 265 S. Church Ave. Details Here.

MEN on BOATS by Jaclyn Backhaus.
They say truth is stranger than fiction, and that’s pretty evident when you consider what this play is based on: an 1869 expedition led by a one-armed captain and a crew of crazy volunteers who head out to chart the course of the Colorado River, and to discover the Grand Canyon. In Backhaus’ theatrical adaptation of this, she genderbends the story—all of the characters are women, and the events in the play, like so many facts today, are “mostly true.” It’s gone over well so far, receiving a Kilroys 2015 playlist choice for one of the best plays by women and being named a NYT Critics’ Pick. Why not check out this production by Something Something Theatre Company? 7:30 p.m. Thursdays through Sundays in October and 2 p.m. on Sundays in October. Temple Cabaret, 330 S. Scott Ave. $25, or $20 for students, seniors, teachers and military. Thursday, Oct. 18, and Thursday, Oct. 25, are “pay what you decide” nights. Details Here.

UA 6th Annual Downtown Series: Soundscapes
click to enlarge Three Great Things to Do in Tucson Today: Thursday, Oct. 18
Courtesy of Maurice R. Magaña
Brought to you by the UA School of Social and Behavioral Sciences and hosted by Fox Tucson Theatre, they present to you visual aspects of music culture and the role of urban youth when it comes to shaping cross-culture and identity. Maurice Rafael Magaña will discuss a series of topics relating to art and music. From art in public spaces to cultures crossing borders and working together, he proves that the music and art scene is an important aspect in many different people’s lives. He will focus on youth and the way they use artistic and musical abilities to speak up about their identities and struggles; particularly across the border of Mexico. Fox Tucson Theatre, 17 W. Congress Street. 6:30 p.m. Details Here.

Send Us Your Photos:
If you go to any of the events listed above, snap a quick pic and message it to us for a chance to be featured on our social media sites! Find us on Twitter, Facebook and Instagram @tucsonweekly.

Events compiled by Brianna Lewis, Emily Dieckman, B.S. Eliot, Ava Garcia and Jeff Gardner.

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Wednesday, October 17, 2018

Posted By on Wed, Oct 17, 2018 at 11:11 AM

Showcasing all of the diverse cultures and customs that dwell within our beloved town, the Tucson Meet Yourself Festival has done it again!

Affectionately coined, "Tucson EAT yourself," the festival presents a unique opportunity to have nachos and pad tai, tacos and dumplings, fry bread and curry all in one sitting.
"Tucson Meet Yourself is a folklife festival. We focus on presenting artists and communities that carry on living traditions rooted in a group’s own definition of identity, artistry, and cultural significance," according the TMY's mission.
Culturally based arts and crafts galore, performances from an array of artists and talks and tabling from various organizations are also a part of the heart of the festival.

Tucson Meet yourself just celebrated its 45th festival, and from us at the Tucson Weekly, thank you to all the volunteers that came together and make this weekend a success, even with all the rain!

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Tuesday, October 16, 2018

Posted By on Tue, Oct 16, 2018 at 10:34 AM

click to enlarge Local “Passport to Nashville” Songwriting Contest Announces Finalists
Courtesy Passport to Nashville
Songwriters from around the Tucson and Oro Valley area submitted over 70 homespun songs to the local "Passport to Nashville" songwriting contest. The winner and runners up will be announced at Monterey Court this Thursday, Oct. 18th. But for now, the top ten contestants have been announced!

In alphabetical order, the top ten local songwriters for the inaugural contest are: Andrew Miceli, Eric Schaffer, Freddy Parish, Helen Hudson, Jacob Acosta, Lauren Lawson, Sophia Rankin, Steff Koeppen, Stuart Oliver and Tom Hodgson.

"Passport to Nashville" is a competition for Arizona songwriters to have their music listened to and judged by a panel of those in the music industry. Founded by Nashville-to-Tucson transplant Virginia Cannon, the competition had songwriters submit their songs for a chance to win a one-year membership with Nashville Songwriters Association, free music lessons, and a round trip to Nashville.

click to enlarge Local “Passport to Nashville” Songwriting Contest Announces Finalists
Courtesy Passport to Nashville
Virginia Cannon
“I love songwriters, I love the whole process,” Cannon said. “I really wanted to do something to help the community.”

Some of the songwriters, including Schaffer and Acosta, are longtime songwriters with studio albums already under their belts. Others, like Lauren Lawson, 15, are just starting their musical career.

The judges panel includes songwriter Dave Pomeroy, music writer Bobby Rymer, music consultant Monty Hitchcock and more. Cannon said while the physical awards for winners are nice, the true awards come in making connections with industry professionals.

“That’s absolutely the prize,” Cannon said, speaking of the contestants meeting the judges. “I’m constantly getting songwriters asking me to connect them with producers. This is a way for all five judges to listen to a lot of local songwriters. The connections will naturally happen.”

At the finals show, the top ten songwriters will perform their tracks before the judges and audience, and the winners will be announced from a number of categories, including judge’s picks and grand winner.

“I’m very pleased with everyone in the top ten,” Cannon said. “Every once in a while, I’ll come across someone that makes me say, ‘wow, that’s just a good songwriter.”

For more information, visit passporttonashville.com

Show Info:
Passport to Nashville Awards Night
6 to 9 p.m. Thursday, Oct. 18
Monterey Court Studio Galleries & Cafe
505 W. Miracle Mile

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