Audrey Tautou reunites with her
Amelie director for a World War I
love story that is both absorbing and
incredible to look at. Director Jean-Pierre
Jeunets filmmaking style is equal parts
epic and quirky, resulting in a film that is
like no other. Tautou plays a woman
whose lover is presumed dead after
being punished for self-mutilation on the
battlefield. Due to a gut instinct, she
believes he is alive and sets out to find
him. This is one of 2004s better-looking
films, with an award-worthy score by
Angelo Badalamenti (Twin Peaks).
Tautou, who has had some minor
success with English-speaking roles
(Dirty Pretty Things) is luminous in
her French element. Everybody keeps
using the word "luminous" to describe
her, and its because thats the word that
fits her perfectly. Elements of the film
remind me of Stanley Kubricks brilliant
Paths of Glory