A somewhat uneven film noir from the
creative team behind White
Balloon. Well-executed in places, and
an interesting study of the psychology of
small humiliations, the film may be too
specific to its milieu. It stars the famous
Hossain Emadeddin (best known for his
work in Crimson Gold!) as a pizza-
delivery man in modern Tehran. The film
is full of surprises, like, who knew they
had pizza-delivery men in Tehran? Its
also full of cultural references which are
pretty specific to Iran and which dont
always translate well. Essentially, the
story tries to show how Hossains social
status and the fact that he lives in a
religious oligarchy (something Americans
seem to be increasingly familiar with)
combine to bring about his ruin. The
personal and political stories dont
always mesh, but the basics of the noir
plot are in place and the camera work is
thoughtful enough to carry you through the
slow parts.