Hayden Christensen is phenomenal as
Stephen Glass, a young reporter who
used charm and guilt to get many fake
articles into The New Republic in
the late 90s. While Christensen has
been a bit overwrought in the past (too
much emoting in Life as a House,
pretty bad as Anakin Skywalker) hes
perfection here, so good and persuasive
that you might find yourself believing his
lies, even though history has already
proven his character a liar. Hes not alone
in the powerful department, because
Peter Sarsgaard is tremendous as Chuck
Lane, the editor who discovered Glass
journalistic crimes. This film is one of the
best pictures about the newspaper
business since All the Presidents
Men, with Christensen and Sarsgaard
as powerful as Hoffman and Redford.