The 1975 horror film is remade as a
campy comedy, and that in itself is a big
mistake. Nicole Kidman stars as a
television executive who is fired after her
reality programming nets tragic results.
After a complete nervous breakdown, she
moves with her husband (Matthew
Broderick) and kids to the suburb of
Stepford, Conn., where all of the wives act
like theyve emerged from 50s television
programs. The only real surprise in what
happens here is that the film is such a
whitewashed flatliner. The mystery of the
Stepford women isnt really a mystery at
all, and the films happy ending makes no
sense. Kidman does her best to make
things worthwhile, but normally reliable
director Frank Oz has stranded her in
something without a real purpose. The
original was a frightening look at the loss
of ones originality, while this misstep is
just your typical wannabe satire that pulls
punches and relies on Bette Midler for the
occasionally amusing comic moment. Its
no surprise that this was a troubled
production with on-set fights and multiple
reshoots. The finished product is a mess.