Tearjerker movies are a neat encapsulation of
America's attitude toward Hollywood, and
celebrity in general; i.e., it's fun to watch
the lives of people who are far more
beautiful and wealthy than me, but it's far
more enjoyable if one of them has a terminal
disease. In this remake of a long-forgotten
1968 film, Charlize Theron stars as Sara, a
life-affirming sexual libertine who takes a
new lover each month, helping her charges
find self-confidence, a renewed capacity for
love and wonder, etc. World-renowned Dogstar
bassist Keanu Reeves plays Nelson, a
workaholic advertising executive/asshole and
Sara's skeptical November appointment. Can
they resist falling in love? The appeal of
the film isn't its kitchen-sink approach to
drama--cute kids, interfamilial tension and
fatal illness all complicate Sara and
Nelson's relationship--but the surprisingly
graceful handling of all the involved
elements. Unexpectedly strong performances by
the leads and supple direction by Pat
O'Connor turn what could have been a
painfully manipulative film into a sweetly
manipulative one, leaving no heartstring
untugged but earning all the emotions it
draws. Mainstream Hollywood tearjerkers don't
get much better than Sweet November.